what men do with their mouths
for C.R. Avery by P. Smith
cue the frenzied combo of molar and spit.
his tongue touches every chroma on its way to blue.
he’s been rinsing with gravel, flossing with wire
and chewing brick again, he’s been a bad, bad boy.
but he is crackerjack conjurer of washboards and
rubber, even suburb girls welcome the twinging. i
want to nibble yesterday’s corona from his chin, rub
my index finger along the surface of his laugh, pull
the maw open to check the slick road of his throat.
there’s something illegal going on down there, the
sweet keening of ancient instruments. the orchestra
is fidgety, click-hipped, steaming inside that skin.
the boy opens the beauteous and, in gut rendering,
words become both otherwise and everything.
Outlaw Hip-Hop Harmonica Player, Beatbox Poet, Punk Piano Player, String Quartet Raconteur, Rock & Roll Matador, Playwright
Whether performing to thousands at the Royal Albert Hall or the lucky few who made it inside the packed past capacity speakeasy, C.R. Avery is a unique, raw and dynamic performer. His genius lies in many genres - blues, hip-hop, spoken word and rock & roll. He is a one-man band, but one for this generation; with the rare ability to sing poetic verse while beatboxing simultaneously while pounding the piano and adding harmonica like a plot twist. A multi-talented front man for his Legal Tender String Quartet; a crazed lead singer/harp player for his rock & roll band The Special Interest Group; a lyrical dynamo & the musical backbone of the spoken word trio Tons of Fun University.
From musical beginnings in his late teens, C.R. Avery has recorded over fifteen albums as well as writing & directing six hip-hop operas, which were mounted and performed from New York’s Bowery to L.A.’s South Central. He has toured throughout Canada (including almost every major folk festival) the USA and Europe (headlining or opening for Billy Bragg, Buck 65, and Sage Francis) and garnered the attention of music peers the likes of Tom Waits (“...he’s blowin’ my mind”); blues harp trail blazer Charlie Musselwhite (“...no one plays harmonica like him… no one…”); and folk legend Utah Phillips (“...raw talent”).
His incredible live performances have been described as Bob Dylan in the body of Iggy Pop; colliding with Little Walter, the Beastie Boys and Allen Ginsberg. Every show is all or nothing and his fearless approach to all genres of music both on stage and in the studio proves the longevity of this talented, astonishing creator has so much more to come.
For more information – http://www.cravery.com